Ebook Free The Fran and Ray Stark Collection of 20th Century Sculpture at the J. Paul Getty Museum
Ebook Free The Fran and Ray Stark Collection of 20th Century Sculpture at the J. Paul Getty Museum
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The Fran and Ray Stark Collection of 20th Century Sculpture at the J. Paul Getty Museum
Ebook Free The Fran and Ray Stark Collection of 20th Century Sculpture at the J. Paul Getty Museum
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Review
“The book has much to offer any reader with an interest in modern sculpture. Recommended.”—Choice
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About the Author
Antonia Boström is senior curator of sculpture and decorative arts at the J. Paul Getty Museum. Christopher Bedford is research assistant in the Department of Contemporary Art at the Los Angeles County Museum of Art. Penelope Curtis is curator of the Henry Moore Institute in Leeds, England. John Dixon Hunt is professor of landscape architecture at the University of Pennsylvania in Philadelphia.
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Product details
Hardcover: 208 pages
Publisher: J. Paul Getty Museum; 1 edition (July 15, 2008)
Language: English
ISBN-10: 0892369043
ISBN-13: 978-0892369041
Product Dimensions:
9.5 x 0.7 x 11 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
3.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#2,538,478 in Books (See Top 100 in Books)
The book is printed in Italy - gratefully not in China. Would have been an insult to the memory and quality of the art. However, the discourse is rather preoccupied with the glory of Getty and Stark. Understandably, it was their majesties' objective, when spending the big buck in acquisitions and pseudo-philanthropy. So it was difficult to ignore the obsession of Antonia Bostrom with art-dealership on art's behalf. We all must be truly grateful to these parvenue 'art-lovers' for their wealth 'gained' and spent on art. The book would have been much better without its first half, chanting about proud owners. Perhaps, expanding the academic discussions on each of the sculpture achievements and additional photography would make it better. CONCLUSIONS: Getty's PR is confusing fine art history with advertizing, which explains their revenue, but does not make compliments to the author. Wish the cost of the book was invested more into art history instead history of money.
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