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PDF Download Where Is Broadway?

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Where Is Broadway?

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Where Is Broadway?


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Where Is Broadway?

About the Author

Francesco Sedita and Douglas Yacka live in New York City. This is their first joint title in the Where Is? series.

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Excerpt. © Reprinted by permission. All rights reserved.

Where Is Broadway?   “Five minutes to curtain!” shouts the stage manager.    In the dressing rooms, the actors take their last looks in mirrors ringed with lights. They check their makeup, making sure their wigs are in place and their mics hidden. A singer does her final vocal warm-up, belting loudly. Her voice rings through the halls above the theater.   Other actors are going over their lines. There’s a tip-tap-clack of tap shoes. It’s the members of the chorus. They are all dressed in matching costumes, ready for the opening number. The costume designer quickly snips a thread off of the leading man’s suit jacket. She straightens his hat and pushes him to his place on the stage.   Beyond the heavy red curtain, the audience settles into their seats, excited for what they’re about to see.   The lights in the theater dim, and the conductor raises her baton. The orchestra begins the first notes of the overture (a sampling of the songs), and the curtain rises. This is Broadway. It’s showtime!   The excitement happens over and over again, eight times a week—six nighttime performances and two in the afternoon, called matinees.    Everyone who works to make a show happen, from actors to producers, directors to designers, comes together to put on musicals, comedies, and dramas for audiences in theaters in the famous Times Square area of New York City. Some shows will become huge hits, like Wicked or Hamilton or The Lion King. And some will not even make it past their opening nights! This is the thrill, and sometimes terror (forgotten lines, falling scenery), of live theater. But this is Broadway, and there is nothing like it!   Chapter 1: A Long Path    Broadway is a very long, very busy street that runs north to south through the middle of Manhattan in New York City.   But Broadway is much more than just a street! It represents the history of American theater from its earliest days to the present. It reflects the hopes and dreams of people all across the country who want to make it big on the stage. It is where people from around the world come to experience the wonder of live theater.   Today, the heart of Broadway is around Times Square in midtown Manhattan. It’s called the Theater District. But long before the Times Square theaters were built, long before there were flashing lights and giant billboards for shows, Broadway was important in a very different way. It is a part of the history of New York City.   The Lenape first inhabited the island of Manhattan. They named it Mannahatta which means “island of many hills.” Most of the land was swamp and rock and not good for farming. The Lenape did not consider the island to be very important. Its main road was called the Wickquasgeck Trail.   In the early 1600s, Dutch settlers established a colony on the tip of Manhattan. On May 24, 1626, they purchased the entire island from the Lenape, trading tools and other goods. Today the sum would be worth only about twenty-four dollars.    The Dutch named the trail Breede Wegh (or “broad road”). In 1664, the English captured the island. They named it New York, in honor of a famous duke, and they changed Breede Wegh to Broadway.   Manhattan quickly became a busy port. Sailing ships with costly goods aboard came to and from the harbor. However, there was not much to do for entertainment. Both the Dutch and the English were Protestant. Their religion considered theater to be sinful. It wasn’t until 1750 that two British actors, Walter Murray and Thomas Kean, appealed to Governor George Clinton to permit acting. He agreed, and the first New York theater opened.   Named the Nassau Street Theatre, it was at the southern tip of the island, just a few steps from Broadway. The theater held nearly three hundred people. Unlike the velvet seats in today’s theaters, hard benches were the only places to sit. The light came from candles. It was so cold inside that the audience would bring bins of hot charcoal to stay warm. Nonetheless, people returned each night to see the lighthearted British comedies performed there. And soon, other acting troupes arrived.   The next great downtown theater near Broadway was the John Street Theatre, opened in 1767. It was impressive, with three floors and two thousand seats. Some historians call it “the birthplace of American theater.” Performances of Shakespeare’s plays were especially popular.   When the American Revolutionary War began, most men were called to fight. People weren’t going to see plays. After the colonists won independence, the new government outlawed what they considered “extravagant” British entertainments. Theater was once again forbidden.   The residents of Manhattan were already theater fans, so after the war, it didn’t take very long for plays to resume. In 1798, the Park Theatre opened a block away from Broadway. For the first few years, the theater did not make much money and almost went out of business. But in 1808, a man named Stephen Price became the new manager. The theater was renovated to suit upper-class patrons. In addition, Price hired famous European actors and actresses. Price could charge more for tickets to performances with well-known stars.   As Manhattan continued to develop, the wealthy class began to move a little farther north. New fancy theaters sprang up in these neighborhoods. The Bowery Theatre opened in 1826, and the luxurious Astor Place Opera House opened in 1847. Patrons had to dress in suits and gowns. They sat in plush seats that were reserved in advance.   The working class was not allowed in the new theaters, and they resented it. There was a growing tension between rich and poor in Manhattan.    In March 1849, a group of working-class men stormed the Astor Place Opera House because a British actor, William Charles Macready, was playing the starring role in Shakespeare’s Macbeth. The rioters were angry that a popular American actor, Edwin Forrest, was not given the part.    Forrest championed an American style of performing Shakespearean plays. He acted with less flourish and fewer grand gestures than Macready. Forrest made his characters seem more like real people whom everyday working Americans could relate to. The “Astor Place Riot,” also known as the “Shakespeare Riots,” left more than twenty people dead.   As New York City’s population grew, local officials encouraged people to “move uptown and enjoy the pure, clean air.” In 1836, a major road—Forty-Second Street—officially opened. It cut across Broadway. A new neighborhood was born.    By the 1870s, the area was the center of popular theater in New York City. A wealthy businessman named Oscar Hammerstein built the stately Olympia Theatre at Forty-Fourth Street in 1895 and the Victoria Theatre in 1899. (The Victoria was sold only sixteen years later, however, and became the Rialto Theatre, one of New York City’s first to show a new kind of entertainment: movies!)    Other large theaters began opening as well, which looked very much like the Broadway theaters we go to today. In January 1905, the New York Times newspaper moved into a new building on West Forty-Third Street. From this time on, the whole area became known as Times Square.

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 7

Series: Where Is?

Hardcover: 112 pages

Publisher: Penguin Workshop (April 30, 2019)

Language: English

ISBN-10: 1524786519

ISBN-13: 978-1524786519

Product Dimensions:

5.4 x 0.2 x 7.6 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,114,227 in Books (See Top 100 in Books)

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Download PDF , by Tim Grimes

Download PDF , by Tim Grimes

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, by Tim Grimes

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File Size: 2565 KB

Print Length: 118 pages

Page Numbers Source ISBN: 1503274594

Publication Date: November 4, 2014

Language: English

ASIN: B00P9WQL8Y

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If you believe you're a bit more than a biochemical random accidental product of the universe, nor believe in some man-created,projected external God...get ready to discover the alternative with Neville Goddard. Rediscover your Self and the world whether you're an Atheist, Buddhist, Taoist, Christian or any other "ist", you won't fail to get some really challenging and useful insights. It certainly helps to take responsibility, ownership and embrace a healthy, positive perspective on Life. This is how I review any and all of Neville's work with a deep sense of gratitude to the man.

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I enjoyed the book. I never agreed with the teachings of the Bible by certain pastors and reverends but his book really made me think. Ever since I was little they way they taught the Bible never made sense to me. Being scared of God never made sense to me. Taking responsibility away from ourselves and blaming it on everything else made no sense to me. So finding this book out everything in to perspective FOR ME! If you are a closed minded religious nut I wouldn't get the book because I THINK you would be probably be offended. Just giving you a heads up! But if you're open to viewing the Bible in a different way then give it a read.

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Contains specific instructiions in the achievement of success, dreams, and desires.

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Free Ebook 2019-2021 Three Year Pocket Planner: Time Management Monthly Planning Marble Gold Geometric Design (Monthly Planner)

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2019-2021 Three Year Pocket Planner: Time Management Monthly Planning Marble Gold Geometric Design (Monthly Planner)

Product details

Series: Monthly Planner (Book 2)

Paperback: 98 pages

Publisher: Independently published (October 10, 2018)

Language: English

ISBN-10: 1728649161

ISBN-13: 978-1728649160

Product Dimensions:

4 x 0.2 x 6.5 inches

Shipping Weight: 4.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,183,651 in Books (See Top 100 in Books)

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PDF Ebook How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle

PDF Ebook How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle

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How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle

How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle


How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle


PDF Ebook How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle

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How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle

About the Author

Nita Engle, whose work appears in national magazines, is the subject of a PBS documentary, Wilderness Palette: Nita Engle in Michigan. She lives in Marquette, Michigan.

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Product details

Paperback: 144 pages

Publisher: Watson-Guptill; Reprint edition (July 10, 2007)

Language: English

ISBN-10: 0823099776

ISBN-13: 978-0823099771

Product Dimensions:

8.3 x 0.4 x 11 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

154 customer reviews

Amazon Best Sellers Rank:

#67,573 in Books (See Top 100 in Books)

I really love this style of painting and found the book inspirational. Unfortunately, Ms. Engle's technique requires a lot of removing paint by erasing, scraping, sanding or whatever, but she doesn't describe these steps in enough detail to follow her process. A video would be more helpful than this book, and I discovered she has several but they are pricey. The first part of the book where she explores the philosophy of creating art helped to focus my mission statement (for lack of a better word). The wash techniques are exciting and produce wonderful, somewhat uncontrolled results. They also use a lot of paint and water and require paper that can handle it. And experimentation.Also, despite the title, the "painting itself" part is only the first step. Once the initial washes are on, the author spends considerable time removing paint and adding details. Chances are, to get similar results, similar effort and extensive experience must also be applied.I'd recommend this book for the concepts presented, but with the caveat that it isn't exactly the detailed instruction in the technique that I'd hoped for.

Another of my favorite award-winning wc artists. Ever since I saw her work published in a leading wc art magazine many years ago. She presents an unusual starting technique, including colors applied from squirt bottles -- where you wonder whether anything beautiful can come from such chaos, but it does. Her landscapes are readily recognizable but still have a dreamy quality about them, difficult for the artist to effectively pull off, but she does. The different techniques she uses to preserve white spaces is alone worth the price of the book -- together with other unconventional "tools" such as the use of sand and gravel, pine needles and grass, powdered pigments, soap bubbles, heat gun, and similar. As far as some review comments that it is not detailed enough re: steps used to get from start to finish. I have found that virtually any art book on a gallery quality painting comes up short there -- and only attending a workshop or somehow watching an artist from start to finish can supply that insight. But Nita's book gives enough clues to an artist with some experience to allow the trying of several of her techniques successfully. No one, including her, gets it right always -- see her revealing comment on pg 110 "Redesigning a Finished Painting" -- even the masters many times painted their final masterpieces over a previous failed painting. Note too her comments on correcting a composition failing in her painting Island Lake II, pg 105: " ... made a very detailed tracing of the design... After erasing the chalk, I removed some of the paint from the necessary areas with a toothbrush, razor blade, and sandpaper, then washed in the new colors and repainted some darks while the wash was still wet." Corrections, another useful technique Nita discusses. So, for me this book at least is a highly recommended text for the wc artist, no matter what style one paints, and no matter the experience level, provided one can deal with some frustration to gain mastery of a new technique.

Every single word on every page of this book is valuable to the thoughtful watercolorist... SO many techniques, so carefully explained.The "doing" of watercolor often defies words, but where they are "captureable", Nita Engle has captured them and shared them as a treasure-trove of ideas and options for ANY watercolorist.Sadly, the title doesn't do this work justice- even the subtitle would have been more striking- but push past that and read this book. It will change how you think about and create your art.

I've actually bought this book before but I pass it around. one of the best reference book for anyone who is interested in pushing the boundaries of what watercolor can do. I teach and the instruction in this book is invaluable.

Love her paintings. It is a completely new way to approach watercolor and somehow it is not that easy, at least for me. I would like it better if some the paintings showing in the book, would it have more detail in color mixture, what techniques where use in specific part of the paintings. Overall, she does a great deal explaining how to work out the different techniques, the material to use and the palette she uses.The book is worthy to have it, for those who like to experience new things.

This is an excellent watercolor instructional book by Nita. She explains her approach to watercolor painting in a dynamic and loose manner. Her illustrations and explanations are encouraging. I wish she had a video instruction and demonstration series I could purchase. Very talented!

Though interesting reading the concepts presented here are for much more advanced painters. The book is worth it just to see the creations the artist presents as examples.

This opened anew perspective for me.

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How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle PDF

How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle PDF

How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle PDF
How to Make a Watercolor Paint Itself: Experimental Techniques for Achieving Realistic Effects, by Nita Engle PDF

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Ebook Free The Campaign Manager: Running and Winning Local Elections

Ebook Free The Campaign Manager: Running and Winning Local Elections

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The Campaign Manager: Running and Winning Local Elections

The Campaign Manager: Running and Winning Local Elections


The Campaign Manager: Running and Winning Local Elections


Ebook Free The Campaign Manager: Running and Winning Local Elections

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The Campaign Manager: Running and Winning Local Elections

Review

Anyone running for a local elected office will find this title a valuable resource for organizing and running a campaign. Library Journal Local office is where most candidates launch their careers, and The Campaign Manager is one of the books they should read before jumping in. Campaigns and Elections, "Ten campaign books everyone should read" I can't imagine anyone heading into the campaign trenches without a copy of The Campaign Manager! Daniel M. Shea, Colby College A comprehensive guide to all aspects of modern campaigns, from strategy to understanding voter contact techniques, to fundraising, paid and earned media, to get-out-the-vote-drives. James A. Thurber, American University Practical, witty, and fact-packed. This is the bible of campaign management. Les Aucoin, Former US Congressman from Oregon Arguably the most comprehensive, insightful, and useful compendium of local campaign wisdom ever assembled. Phil Keisling, Former Oregon Secretary of State Thinking of running for local office? Stop, and buy this book. It will tell you how to win, or at least what you must do if you want to win. Just as important, it will tell you when you are wise not to run. Mark Carl Rom, Georgetown University Shaw presents an excellent how-to guide for the prospective campaigner. From strategic orientation to voter targeting to media, Shaw provides a step-by-step process to getting a campaign off the ground. Chapman Rackaway, University of West Georgia Shaw's book should be read by all persons interested in entering elective office at the local level. It is also an excellent supplementary text for a course on American political campaigns. One of its major strengths is the focus on local political campaigns, which are often overlooked when presidential and statewide elections are held. It is the definitive guide to campaigning at the local level. Raymond Scheele, Ball State University Quite simply the best organizational tool for anyone seeking political office or working on an issue-based campaign. Mara Liasson, NPR

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About the Author

Catherine Shaw served twelve years (three terms) as mayor of Ashland, Oregon, and four years as a member chief of staff in the Oregon legislature. She has over two decades of campaign management experience, and has taught campaign courses at Yale, the University of California, and Southern Oregon University.

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Product details

Paperback: 352 pages

Publisher: Routledge; 6 edition (March 15, 2018)

Language: English

ISBN-10: 0813350794

ISBN-13: 978-0813350790

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#78,536 in Books (See Top 100 in Books)

This will give you solid advice on how to organize your campaign timeline, canvass door to door, organize your volunteers, hold events, and figure out your priority districts from the historical voting results. However, it contains nothing about the new world of the internet. Not the book or author's fault - it's just an old book - but there is nothing on websites, email campaigns, or social media campaigns. Still, what is contained in this book is really valuable information. Even if you find a more updated book about running election campaigns using social media, I'd still recommend this book for all the other items I listed.

Excellent resource for people with no experience running for even the most minor office.

What an excellent book! I am running a local campaign for a family member and have bought three different books from Amazon. While all three have great ideas and offer substance, I would take this one hands down if I could only have one.The specific information on precinct and voter analysis are well worth the price of the book alone.

Very informative, easy to read. Definitely recommended if running a local election.

Having worked on more campaigns than I can remember, there is no better, more useful, comprehensive and effective beginners guide to running a political campaign than this. This is the one that you will use and remember.

I absolutely love this book. When I first bought the book I had a lot of questions about campaign management. There were a lot of things my friends who were experienced in senior campaign management told me that this book confirms. I was worried that the book would be centered around a really small race, such as a mayoral race of a small city. Although, smaller races like city, county and state senate, representative races are mentioned a lot, there are a few mentions of larger statewide/federal races mentioned in the book.The one thing that I do not like about the book is is the organization of it's chapters and subchapters. That relatively minor, however.If the author could write about, in her next edition, more day to day duties as it relates to staff, this book would be the best out there! Everyone said that the job of the campaign manager is VERY time consuming and often you're helping others like press secretary, field director and others do their job, which makes sense. However, this book doesn't really give you a sense of the time commitment that it takes to be a campaign manager. Finally, I'd recommend adding subchapters for more positions for the larger statewide campaigns and an in-depth analysis of their job, seeing that the campaign manager should be very well aware of their duties in case he/she has to step in and help aid in their job.

I did a search in my confusion about how to help with my son's campaign and stumbled on this book at Amazon. It came quickly enough to be timely for me and was a real help to my planning. It is clear, easy to read and understand. I was lucky to fine it!

This book is a MUST BUY. I am an elected official and this book on top of providing me with smart and alternative tips on how to run a successful local campaign, gave me the motivation to think out of the box.Thanks a lot Catherine for sharing your amazing analytical insight and field experience.Regards,Attilio Di Mattia

The Campaign Manager: Running and Winning Local Elections PDF
The Campaign Manager: Running and Winning Local Elections EPub
The Campaign Manager: Running and Winning Local Elections Doc
The Campaign Manager: Running and Winning Local Elections iBooks
The Campaign Manager: Running and Winning Local Elections rtf
The Campaign Manager: Running and Winning Local Elections Mobipocket
The Campaign Manager: Running and Winning Local Elections Kindle

The Campaign Manager: Running and Winning Local Elections PDF

The Campaign Manager: Running and Winning Local Elections PDF

The Campaign Manager: Running and Winning Local Elections PDF
The Campaign Manager: Running and Winning Local Elections PDF

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